kbsuЭлектронный журнал «Кавказология»Kavkazologiya2542-212XКБГУ10.31143/2542-212X-2025-1-247-260NHFBASkbsu-19Research ArticleЛитература народов Российской Федерации (литература народов Кавказа)Literature of the peoples of the Russian Federation (literature of the peoples of the Caucasus)Об историчности образа черкеса Арганта в поэме Торквато Тассо «Освобожденный Иерусалим»On the Historicity of the Image of the Circassian Argantes in T. Tasso’s Poem «Jerusalem Deliv-ered»https://orcid.org/0009-0007-0658-3488ШомаховФидель СултановичShomakhovFidel S.

неаффилированный исследователь

fid@bk.ruНеаффилированный исследовательРоссияUnaffiliated ResearcherRussian Federation20251604202501Кавказология_2025_1247260Copyright © Шомахов Ф.С., 20252025Шомахов Ф.С.Shomakhov F.S.This work is licensed under a Creative Commons Attribution 4.0 License.https://www.caucasology.ru/jour/article/view/19

Имагологический подход, сочетающий в себе методологические компоненты, заимствованные из литературоведения, языкознания и историографии, предоставляет возможности для системно-комплексного изучения образов стран и народов в письменном дискурсе. Актуальность этого подхода для анализа текстуальных репрезентаций адыгской идентичности продиктована, в частности, проблемой дефицита релевантных средневековых источников. Метод способствует выявлению малоизвестных документов и расширению источниковой базы адыговедения. В предлагаемой статье, подготовленной по материалам монографии автора (цитируется в тексте), исследуется вопрос исторической обусловленности образа черкеса Арганта, одного из основных действующих лиц поэмы Торквато Тассо «Освобожденный Иерусалим». Указаны историографические и нарративные источники, содержащие сведения о полководцах черкесского (адыгского) происхождения, состоявших на службе у Хамданидов Алеппо и египетских Фатимидов. Показана типологическая достоверность образа Арганта – этнического черкеса, включенного автором поэмы в государственную структуру Фатимидского Египта. 

The imagological approach, which combines methodological components drawn from literary studies, linguistics and historiography, provides opportunities for a systemic and comprehensive study of images of countries and peoples in written discourse. The relevancy of this approach for the analysis of textual representations of the Adyghe identity is dictated, in particular, by the problem of the deficit of relevant medieval documentary sources. The method helps reveal little-known documents and broaden the source base of Adyghe studies. The proposed article, based on the materials of the author's monograph (quoted in the text), explores the question of the historical conditionality of the image of Circassian Argante, one of the main characters in Torquato Tasso's poem "Liberated Jerusalem". The article provides historiographical and narrative sources containing information on the commanders of Circassian (Adyghe) origin who served the Hamdanids of Aleppo and the Egyptian Fatimids. The typological reliability of the image of Argant, an ethnic Circassian included by the author of the poem in the state structure of Fatimid Egypt, is demonstrated.

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The authors declare that there are no conflicts of interest present.